“Who instructed you? The Godfather’s persistent question hovered ominously in the ballroom.
No one answered.
The silence stretched, far longer than it should have.
The portraits stilled.
Then, a piano riff. Reminiscent of Old Shanghai jazz.
“Ye Shanghai (Shanghai night), Ye Shanghai..”
In a minor key.
Beyond the realm of possibility.
A repeated riff that refused to fade.
L14 stayed still.
Her mouth rounded in that familiar gasp.
Matching the singer’s …
Too perfectly.
The sound reverberated in my ears.
It didn’t seem to come from the piano.
It escalated—
Around L14.
Godfather Lim paid it no heed.
He gave her the attention —
She didn’t need.
Then, the portraits in the corridor shifted.
They didn’t move.
But mimicked.
Every mouth in a rounded gasp.
Like L14’ s.
Soundless. Perplexed. Petrified.
No breath left their lips.
“Ye Shanghai…” The melody intensified.
No pianist.
No singer.
Godfather Lim gripped his white cane.
His knuckles whitened.
His raspy monotone—
Restrained.
But for one word.
“Fanatical.”
I didn’t know what he was condemning.
L14? The Lim mansion?
The pained memories?
What was fanatical, I didn’t know.
But the ballroom no longer matched what I had entered before.
The house was recollecting.
And transforming.
The piano music stopped, mid riff.
But the repetitive vocals continued—
And dominated the room.
Filling every corridor of the mansion.
Gripping the inverted staircase.
L14’ s mouth stayed in that rounded gasp.
The music filled every corridor.
Staircase.
Locked room.
Godfather Lim stepped back.
Not from fear.
But because he knew.
The house had never kept the portraits.
Or trapped the girls.
But it had held their voices.
Original story by Michelle Liew Tsui-Lin. AI tags are coincidental.
Mirrors of the Mind by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.








