When the Mansion Remembered

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“Who instructed you? The  Godfather’s persistent question hovered ominously in the ballroom.

No one answered.

The silence stretched, far longer than it should have.

The portraits stilled.

Then, a piano riff. Reminiscent of Old Shanghai jazz.

“Ye Shanghai (Shanghai night), Ye Shanghai..”

In a minor key.

Beyond the realm of possibility.

A repeated riff that refused to fade.

L14 stayed still.

Her mouth rounded in that familiar gasp.

Matching the singer’s …

Too perfectly.

The sound reverberated in my ears.

It didn’t seem to come from the piano.

It escalated—

Around L14.

Godfather Lim paid it no heed.

He gave her the attention —

She didn’t need.


Then, the portraits in the corridor shifted.

They didn’t move.

But mimicked.

Every mouth in a rounded gasp.

Like L14’ s.

Soundless. Perplexed. Petrified.

No breath left their lips.

“Ye Shanghai…” The melody intensified.

No pianist.

No singer.

Godfather Lim gripped his white cane.

His knuckles whitened.

His raspy monotone—

Restrained.

But for one word.

“Fanatical.”

I didn’t know what he was condemning.

L14? The Lim mansion?

The pained memories?

What was fanatical, I didn’t know.

But the ballroom no longer matched what I had entered before.

The house was recollecting.

And transforming.


The piano music stopped, mid riff.

But the repetitive vocals continued—

And dominated the room.

Filling every corridor of the mansion.

Gripping the inverted staircase.

L14’ s mouth stayed in that rounded gasp.

The music filled every corridor.

Staircase.

Locked room.

Godfather Lim stepped back.

Not from fear.

But because he knew.

The house had never kept the portraits.

Or trapped the girls.

But it had held their voices.


Original story by Michelle Liew Tsui-Lin. AI tags are coincidental.

Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

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That voice.
“What did I instruct you?”
Low.
Soft.
Immediate.
Raspy.
Smoothened by years of instruction.
L14 bowed in abject reverence.
Not obedience.
Reverence.
The portraits lowered their eyes along with hers.
The chandeliers contributed their trembling deference.
The mansion converted.
In sync.
In rhythm.
Its very heartbeat.
His.


Tap.
Tap.
Tap.
The polished white cane traced the marble.
Never a bruising beat.
A gripping one.
A guiding one.
One measured tap.
After another.
The Fedora, tipped.
The gentleman stepped forward.
Composed.
Unhurried.
An iron grip on his cane.
His face in the fedora’s gilded guise.
Except for his mouth.
Too thin.
Too visible.
Shaped by the cruelties of time.
His eyes went over the ballroom in a fell swoop.
Pausing at one portrait.
L14s.
The raspy instruction lingered.
Way longer than he.
His mouth stretched in a thin grin.
The forgotten girl’s grip around the brass plaque tightened.
Not to defend herself.
The name beneath.
The portraits came to life.
Still unmoving.
But recalling.
Somewhere behind the velvet walls–
A piano.
A note.
In a minor key.
The Fedora tipped.
He listened.
His smile vanished.


The fedora tipped again.

The Lim’s patriarch.

The Godfather.

He didn’t turn towards the piano.

But he knew.

The minor note hovered, a raven about to fall in a grand swoop.

His wrinkled fingers gripped the white cane, reminiscent of steel.

A harsh silence covered the ballroom.

Every portrait stilled.

Every one but L14’s.

Her grip around the brass plaque tightened further.

Not because she was afraid —

But because she was determined.

The raspy voice droned in a familiar, damning monotone.  

“Who instructed you to remember?”

Stoic silence.

“Who. Instructed. You. To. Remember?”

No answer. Only a minor piano note

Hovering.

Closer

Accompanied by the pristine, singing voice of a Chinese woman.

Soft..

Raspy…

Trained…

Weathered.


The melodic voice drifted into The Godfather’s ears.

He stood, expressionless.

No gun.

No knife.

Just his ears, listening.  

Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

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The House Instructs

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That voice.
“What did I instruct you?”
Low.
Soft.
Immediate.
Raspy.
Smoothened by years of instruction.
L14 bowed in abject reverence.
Not obedience.
Reverence.
The portraits lowered their eyes along with hers.
The chandeliers contributed their trembling deference.
The mansion converted.
In sync.
In rhythm.
Its very heartbeat.
His.


Tap.
Tap.
Tap.
The polished white cane traced the marble.
Never a bruising beat.
A gripping one.
A guiding one.
One measured tap.
After another.
The Fedora, tipped.
The gentleman stepped forward.
Composed.
Unhurried.
An iron grip on his cane.
His face in the fedora’s gilded guise.
Except for his mouth.
Too thin.
Too visible.
Shaped by the cruelties of time.
His eyes went over the ballroom in a fell swoop.
Pausing at one portrait.
L14s.
The raspy instruction lingered.
Way longer than he.
His mouth stretched in a thin grin.
The forgotten girl’s grip around the brass plaque tightened.
Not to defend herself.
The name beneath.
The portraits came to life.
Still unmoving.
But recalling.
Somewhere behind the velvet walls–
A piano.
A note.
In a minor key.
The Fedora tipped.
He listened.
His smile vanished.


The fedora tipped again.

The Lim’s patriarch.

The Godfather.

He didn’t turn towards the piano.

But he knew.

The minor note hovered, a raven about to fall in a grand swoop.

His wrinkled fingers gripped the white cane, reminiscent of steel.

A harsh silence covered the ballroom.

Every portrait stilled.

Every one but L14’s.

Her grip around the brass plaque tightened further.

Not because she was afraid —

But because she was determined.

The raspy voice droned in a familiar, damning monotone.  

“Who instructed you to remember?”

Stoic silence.

“Who. Instructed. You. To. Remember?”

No answer. Only a minor piano note

Hovering.

Closer

Accompanied by the pristine, singing voice of a Chinese woman.

Soft..

Raspy…

Trained…

Weathered.


The melodic voice drifted into The Godfather’s ears.

He stood, expressionless.

No gun.

No knife.

Just his ears, listening.  

Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

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The Email Loop

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It was a good intention that became way too seen. A report intended as a confidential procedure. To raise a concern about a colleague’s inappropriacy. About a professional boundary that might have been broken. No more.

I discreetly copied my superiors on the email loop. Not to seek redress or trigger disciplinary action, but to seek their guidance.

If it escalated, the job turnover in the department would rise — with immediate effect. I had to stop it.

To save my job. It wasn’t about getting anyone into trouble.

So I crafted the email.

The shared inbox and misdirected forwarding unveiled it all.

That email. It raised the issue, in apparent confidence. I kept my superiors in the BCC loop — I needed guidance.

Not action.

Written in the hopeful belief that it would preempt and correct — quietly.

I clicked on the send button and went on a mid-morning coffee break.

It was Procedure. That’s all.

Nothing unusual, just a log of a routine slip.


I believed the process to be ordinary. Internal. Just a chastisement. Professional guidance.

A gentle correction for the drawing of boundaries, before matters escalated.

I never anticipated exposure. After all, the system was solid.

A confidential chain.

Restricted circulation, never meant for his eyes.

With the usual safeguards.

But what was private became—

Shared.

Public.

Irreversible.

He shouldn’t have had any access to it.

A mistaken forward, to his professional nemesis.

Then, the entire department.

And finally—

Its head.

A misdirected forward loop.

“So this is what you think of me. After all those years working together.”

His tortured voice.


Too late to recall.

The cardboard box. The desk, cleared.

Him, walking past, giving me that lowered, sideways glance.

His raspy, trembling voice accused. “So this is what you really think of me. You never even asked me anything.”

I would have fixed it. But it’s already on the company’s records.

What would you have done?


Original story by Michelle Liew Tsui-Lin. AI tags are coincidental.

Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

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The Master’s Footsteps

The heavy, male footsteps continued their ponderous, synced beat along the corridor.

Tap.

Tap.

Tap.

Measured.
Patient.

Never rushed.

L14’s mouth froze in that rounded, petrified gasp.

And I knew.

The portraits stopped that frantic whispering.

And waited.

The room paused, prepared

Rehearsed.

Silence had learned obedience.

As though every chandelier, hallway and cabinet in the home had waited for those steps to instruct them.

The mansion had learned its master, too well.

Fear kept in perfect time.

The footsteps finally fell beyond the ballroom doors.

And the girl moved.


The eyes of the forgotten girl never left the doors. She reached for the brass plaque.

Slowly

Almost apologetically.

She lifted as if—

Afraid.

And under it—

A forgotten name.

Almost totally erased.

Only barely recalled.

The portraits trembled.

Vigorously.

The lips of each parted.

Not in terror.

In remembrance.

Then she shook her head.

Not yet

Someone had told the house to stop the names from being spoken.


Tap.

Tap

Tap.

The ballroom doors creaked open—

Slightly

A polished white cane.

Then, a shadow.

A fedora.

With no face.

A voice—-

Too calm.

“What did I instruct you?”

CL14 bowed, too instinctively.

She backed away, much too disciplined.

Having learned the lessons that a girl of her age should not.


Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

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The Brass Plaque

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Some prisons have no bars. They have numbers.


A soft, ominous click.

The iron lock sprang open.

Pedantic darkness didn’t await.

I looked around, eyes sweeping corners, before stepping through.

Into the —

Light. Not a pitch-black shroud of darkness.

But a ritzy wing of the Lim’s questionable abode.

Grandeur that surpassed anything I’d ever laid my eyes on.

Crystal chandeliers. Mirrors with ornate, gold frames.

Wallpaper with an opulent, oppressive purple velvet sheen.

A ballroom touched by a golden grift, untouched by dust.

The Lim’s private residence.


I made my way slowly through the gilded ballroom, its grandeur overwhelming my breath.

Each chair. Each chandelier. Each polished floorboard.

Raised a question.

How many girls paid for this?

Splendour. Not splendiforous.

But purchased.

Every ornament bore unseen fingerprints.

Every item, an exchange for comfort.

And at the opposite end of the ballroom, a portrait.

Empty.

Below that, a brass plaque, golden, neatly wiped.

But somehow tainted. Tarnished.

A bold engraving etched firmly.

The girl. Missing. Unidentified.

Nameless.

L14.


I stood there for a long while, rooted by fear and realisation.

Then, the click-clack of heels. Not elegant. Ponderous.

A shimmer, to my right, in the hallway.

In a forgotten Chinese cheongsam.

Her mouth rounded in that familiar, silenced gasp.

Almost a scream.

She extends her hands. Not for me. Not for the portrait.

For the brass plaque.

Her fingers trembled as they circled it.

“This was never my name.”

In a flash, I comprehended.

And she nodded, wanly.

Her elegant, well-chiselled face shaped not by beauty, but by sorrow.

The Lims had never wanted or recorded names.

Only inventory.

Faint whispers, coming, in a synchronised chorus, from the portraits around me.

The girls.

Each reclaiming.

Each trying not to fade.


L14 slowly lifts the brass plaque.

It comes away, with almost no effort.

Underneath, carved marks nearly undecipherable —

A girl’s name.

The portraits around me started stirring.

And blinking.

Mouths slowly rounding in dreaded gasps.

One.

By.

One —

They whispered. Then their whispers became voices.

Not pleading voices.

Voices that recollected.

Then, L14 smiled.

She hadn’t escaped the Lims, or their arrangements.

But because she had been reclaimed.

The floor beneath my feet shook.


Then…

A tap

Tap.

Tap.

The sound of leather shoes clicking across polished marble.

They didn’t belong to any missing girl.

But to someone else.

With a distinguishable male swagger.

The portraits fell silent.

The spectre of the forgotten girl turned.

Her mouth. In a gasp.


Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

Sometimes the greatest mystery is not who stands apart, but why we choose not to draw near.

👁️🌑🖐️

The eyes watch, faces turning up.

Whispers through closed curtains and doors.

Shadows gather around my cup

Dark hands grasping me from the floor.

They saw. They called. Pulled. Did not pause-

Weighing truths that they did not see.

From their pressing palms and false cause.

I wince, I fight, I choose to flee.

👁️🌑🖐️

I stay bound by hands from the floor

Hands that weigh me, the hands that tie

The hands that grasp me, nothing more

Offer no hope, just pointless sighs.

And I continue to look high

Light from a window, or the door

Silence comes and sits, as the crowd flies

Through shadowed gates, to lighted shores.

👁️🌑🖐️

Original poem by Michelle Liew Tsui-Lin. AI tags are coincidental.

Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

Behind the Locked Landing

🗝️🪜🖼️🚪🔒🌺

I finally managed to stumble, clothes ripped and worn, out of the Lim’s dreaded abode.

Home free.

Or so I thought.

Then, light that pierced my eyes. A golden hue.

I edged closer. A brass key, dressed in details so intricate that craftsmen would fight to claim ownership.

A mark, L14, etched conspicuously on its side.

I had absolutely no desire to know what  door it would  open , and unveil.

Fitful rest that night.  A dream, once again, of the staircase that defied normalcy.

Inverted.   Perverse. Purposeful.

Portraits of women, each more beautiful than the last, still lined the corridors.

One had faded, her well chiseled face almost nonexistent.

Her hand, outstretched.  Trembling. 

For the key.

Then, her mouth opened, in a rounded gasp.

“It made me disappear.”

The key refused to leave my side, no matter where I threw it.

In the trash. Under a pillow. Buried in the soil.

It reappeared.

I had to return to the Lims’.

The bougainvillaea still strangled the walls.

They hid more than stone.

The gothic balconies screamed silently.

One difference.

A brass lock. On each door.

I climbed the inverted staircase. Paused at every locked door.

Behind each, a whisper.

Not wails.

Names.

Going softer with each step I took.

I stopped at the girl’s portrait.

Her mouth rounded again.

“Saying one’s name once meant freedom. No one hears them now. When the last disappears..”

Her voice trailed off.

A lock sprung open.

🗝️🪜🖼️🚪🔒🌺

Original story by Michelle Liew Tsui-Lin. AI tags are coincidental.

Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

One Work: The Silent Cry

Some masterpieces are painted. Others are heard only by the heart.

✨✨✨✨✨✨✨✨

Sentient stars still swirl

His scream searing through his paint

Men rein in his voice.

✨✨✨✨✨✨✨✨

Original story by Michelle Liew Tsui-Lin. AI tags are coincidental.

 Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

Portraits of the Forgotten

🕯️🪜🖼️🚪🗝️🕊️

The Lim’s Victorian home was opulent. Victorian balustrades. Overstated balconies. Ornate doors. Untamed Bougainvillaea on its walls. 

A cookie-cutter Victorian home. 

But different. 

Its staircase.

The spiraling feature was–

Inverted. 

From the smallest to the largest stair, upstairs down.

It wound, like a little finger, crooked and beckoning, a forbidding picture of cold stone marble. 

🕯️🪜🖼️🚪🗝️🕊️

The whimsy construction led homeowners to the multi-tiered home’s shadowed landings. 

Landings where one could discern echoes of “You!” “You!”

Each was an exact mirror of the last, and refused to end. 

Memories of the homeowners, encased in wall portraits that watched from the hallways. Familiar thoughts that became-

Unknown. 

Their names floated away, together with distant shadows. 

Silence anchored each footfall. 

Ominous. 

🕯️🪜🖼️🚪🗝️🕊️

Reality folded in on itself in each of the home’s endless, elongated corridors, each too dark to discern. 

The Lims had been a successful family of traders.

Professional traders. Of what they shouldn’t. 

The corridors echoed what they had traded, with submission. 

Each made with aplomb and gentle force. 

On each one, a precious belonging. Gone cruelly unnoticed. 

🕯️🪜🖼️🚪🗝️🕊️

The staircase. From the largest to the smallest stair. Leading to a landing where the traded could escape.

By speaking a name.

Their names.

Names for freedom. 

Many tried. Success had neared; the portentous, winding staircase and corridors bore endless places where they could hide. 

Freedom that encased them in each of their portraits in the corridors. 

Behind doors on the landings that shut and bolted. 

They never really left. 

 🕯️🪜🖼️🚪🗝️🕊️

Original story by Michelle Liew Tsui-Lin. AI tags are coincidental.

 Mirrors of the Mind  by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture — where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.